Dear painters, art aficionados, and art explorers everywhere. I would never have guessed this journal would keep my interest for so long! Join me as I learn about the processes of painting, drawing and at times, the history of art.
My website is: terirobusstudio.com

6.29.2026

Portrait Painting Workshop with Studio Incamminati in Haines, Alaska


Hi fellow art lovers!

If this is your first time here, welcome! 

I  attended a Portrait Painting Workshop held in Haines, Alaska 
from June 8 through 12, 2026. Thirteen serious painters were there.
Three of us were from Juneau and there were other painters from Haines
and a few from the east coast.

In this post I show how our
Studio Incamminati instructor lead the workshop,
with pictures and videos of our efforts.

Studio Incamminati master instructor
Natalie Italiano (check out her website)


We learned the terms Open Grisaille and Closed Grisaille. 
But first, the definition of Grisaille is: monochromatic painting using shades of gray, black, white or other neutral color. Our grisailles in this workshop did use a burnt sienna making it actually a brunaille (a painting executed entirely or primarily in shades of brown, or brownish/red).

Open grisaille is a classical oil painting underpainting technique where the image is developed thinly using a single monochromatic pigment, leaving the canvas or ground exposed for the lightest areas. It relies on a "wipeout" method to define values and allows artists to easily adjust shapes before adding color. 

The next two pictures are my practice pieces with the open grisaille technique. One thing we did which was very good practice was to do the open grisaille
and wipe it off, again and again. The purpose is to develop your drawing skills.




this one sort of reminds me of me


I walked around the room taking a video of all of our open grisaille work.


Closed grisaille is an opaque, monochromatic underpainting technique in which an artist builds up the full range of values and textures 
using only black, white and gray paint. 

Below is one of my open grisaille sketches (with model) and below that,
the closed grisaille, where I added white to my burnt sienna.


 




You may notice at the side of the canvas above there are small sample
swatches of paint in 4 values. These are there to keep track of the dark,
medium and lightest values that you see as you develop your portrait.

We also learned from Natalie a bit about how to do a color study. 
A color study is usually a small-scale canvas painted 
with just basic large shapes, test colors and light arrangements
 to use in the larger, more detailed final painting.

Here is Natalie with her (more of a finished) color study with model Maria, 
after painting for 3-hours 
(and after a full day of teaching!).


This last photo of my work is when I added color as the workshop 
was coming to a close. It doesn't look like our model, but
it looks humanoid, so it's a start.

Anna
20" x 16"

Workshop group photo!


Donna Catotti, bottom left in the photo, click on her link!
is the Haines home town organizer of this great workshop, 
and has done it for 9 years or so! 
Our top notch instructor, Natalie, who lives on the East Coast 
is shown bottom right.

Thank you Natalie and Donna! and thank you to our great models 
(we had four, plus Natalie's color study model).



Haines is surrounded by mountains! We had beautiful weather during the workshop.

Thank you for reading my art journal. 
It began as a simple blog and has endured for over 18 years. 
I also write a (mostly) monthly free newsletter. To get on the list go to https://terirobusstudio.com/email-newsletter

I'd love to have you on my VIP list!

Until next time, happy creating!

🎨
Teri


 

1.26.2026

18th Anniversary of this Studio Journal blog!

 
Hidden Lake, Tetlin 
(Alaska)


Hi readers of this art journal!

Today is my 18th Blogiversary. (since 2008!) Hard to fathom. I have been doing a special artist interview for a few of these anniversaries, but I have not contacted anyone yet this year. There is still time.

I am glad to post here anyway today,
to remind myself that i have a blog ... an art journal of a sort, and to post more about my struggles with paint!

The painting above is one of my favorite en plein air paintings. My husband and I were on a road trip to Alaska's interior regions and we stopped at the Tetlin National Wildlife Refuge. We hiked back to a beautiful lake and there were a couple of swans being calm and elegant.


And I set up to paint.



I appreciate that you are reading this! Feel free to comment and share. I will soon feature a local Juneau artist for us to learn about. 

Just as a reminder, my first interview (2024) was with my artist husband, Matt Robus, (that link sends you to his Working Birds Facebook page). He spoke about his passion, wood carving! ... mostly shorebirds and waterfowl. We both are pretty birdy ...

my painting of a MHR carving (Phalarope)

my painting of a MHR carving (Whimbrel)

And, last January (2025), I interviewed Timi Johnson, fabulous Juneau artist. 

 Take good care of yourselves, families and friends,

Teri

12.08.2025

The Purple Wall



 Happy Holidays!

Hello dear readers ... I am just popping into my Studio Journal to add a painting 
that I have some progress pictures for.

I am in the process of inventorying my paintings ... 
gack! 😳
... something I should have done years ago.
So, this particular picture is #79. 
I painted it, I think, in 2023 ... although I thought it was earlier. 

Here you go:


I found this picture
in an old Martha Stewart magazine.




In my large sketchbook I drew an approx. composition.



With a yellowish undertone on the 14" x 11" Multimedia artboard,
 I drew my motif.



Added my purple wall, changing things to my liking.



After untaping.


This is the back. It is not adhered to the archival foam core.


The Purple Wall 
Oil on Multimedia artboard
14 x 11 inches




Here she is framed,
by my framer extraordinaire (Matthew Robus)

This painting is on my website, in the Flowers Collection. Please feel free to email me at <teri@terirobusstudio.com>
if you have any questions.

🎄

I hope everyone is enjoying friends and family during
these December holidays. Take very good care and I will 
write in this art studio journal again soon. 
Oh, and if you are a subscriber to my newsletter, 
I will be sending that out in the next week or so, so keep your eyes peeled for that.

If you would like to sign up for my free, no stress (unsubscribe any time)
 mostly monthly Studio News, go here:


Thank you for reading and your support!
all the best,
Teri

11.27.2025

Alstroemerias III

 The painting began with ...


this beautiful bouquet!

It was a time of great upheaval. 
My studio was demolished to get ready for a renovation. 
Moving upstairs had advantages: good light, close to the kitchen, but disadvantages in that 
I had to make sure no paint got on the floor, walls, etc!

Anyway, here are my few progress shots of creating Alstroemerias III.






Sketches to get a feel for the flowers.


My Coulter easel was perfect.










This is a sample of how a print would appear.


Alstroemerias III
18" x 12"
19" x 13" framed



Ok, thanks for reading and I hope your painting goes well!

🎨 Teri


11.26.2025

Blue Bug (on a hill)

 


Long ago, & far away from Juneau ...

My husband and I lived for a short time in Torrington, Wyoming. During the days, sometimes I would walk around the town while Matt was at work (as an Environmental Inspector for a pipeline going in nearby). I walked up a hill and passed a cute blue Volkswagon bug parked along the street. 




Can't quite remember if I sketched this right there, or if I sketched it when
I got back to the apartment. At any rate, I began to paint it. 
The very few photos I took as I progressed are here.





Blue Bug (on a hill)
8 x 10 inches
oil on Ampersand panel


Thank you for reading!

🎨

8.01.2025

Flowers! Workshop - final post

 Hello, here are a few more of my drawings and paintings done in the
Flowers! workshop with Jordan Wolfson

I had a single sunflower, so I stuck it in a tiny vase.
Here is the photo.


Other shots showing b&w, etc.

Using black and white paint to begin.


Partway through.


Just about done ...

Toward the Sun
oil on canvas panel
12 x 9 inches


I have an Orchid Cactus that bloomed during this workshop.




Bloom (Orchid Cactus)
Oil on canvas
12 x 16 inches






Pink Rose
Oil on Masonite
12 x 7.75 inches



Fav Bouquet Blooms
Oil on watercolor paper
10 x 7 inches





Charcoal drawing
24 x 18 inches

In the middle of painting a bouquet that included 
a large yellow Chrysanthemum (Mum),
I realized that I needed to find out how best to paint that Mum. 
So I began googling painters who painted flowers and found 
a Chrysanthemum painting by Piet Mondrian!
Most of you probably know him for his abstract, or "De Stijl" or "the style",
paintings that looked like this:



The painting that I found to copy and learn from is this:

Yellow Chrysanthemums in a Ginger Pot
by Piet Mondrian, c.1898


Yellow Chrysanthemums
after Piet Mondrian 
Oil on canvas
16 x 12 inches


So I tried again with this painting 


Title tbd
Oil on canvas
20 x 15 1/2 inches




My little Moth Orchid bloomed (and is still blooming),
so I am trying to do a painting of her.


wip

Not sure how it will end up, but it is all a learning experience.

So, until next post, thank you so much for reading,
and ... happy creating!

🎨

Oh, and please visit my website!